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Collection of cantata texts, with their poets identified, together with an introduction to the history and aesthetics of the genre.
In addition, you should have noticed the difference in line length, with the third and fourth lines much shorter.
Halftone of the single surviving full score in the hand of the composer.
The recording session began at five in the afternoon and ended at nine the following morning.
The work is a collection of arias for one, two, and three voices with guitar accompaniment notated in staff notation.
Del metallo ricercari a due voci per sonare, e cantare.
One of the richest tablatures of the time, consisting of solo lute works and vocal pieces in staff notation with lute accompaniment in French tablature.
What sounds today as if it could never have been otherwise, in reality dates back in part to earlier Bach pieces that he re-texted and adapted for the new purpose.
Introduction in It-Eng.